Since its founding in 2001 by Pascale Reymond and Andrew Langton, Reymond Langton Design has become a leader in luxury superyacht design. Known for their innovative approach, the team combines artistic elegance with functional precision, crafting bespoke interiors and exteriors that exceed client expectations. With a diverse background in art, interior, and transport design, their work is defined by meticulous attention to detail, timeless aesthetics, and cutting-edge solutions, making them a trusted name in the world of high-end yacht design.
Reymond Langton Design is synonymous with innovation and sophistication in superyacht design. Combining artistic vision with technical expertise, the team creates interiors and exteriors that blend beauty, functionality, and precision. With a reputation for exceeding expectations, their designs showcase unparalleled attention to detail and a commitment to delivering timeless elegance for the world’s most discerning clients.
Can you still remember your first attempt at a yacht design? Does it still exist?
A&R 01
I as drawing cars and boats from a very young age – six or seven-, however, my first attempt at a yacht design was at University. It was a 65 foot gas turbine powered hydrofoil yacht that looked more space ship than yacht. I still have the designs.
ANDREW
I started in the yachting industry in 1989 and my first yacht design experience was on board the 125m classic superyacht Savarona, when I was asked to work on the general design concept of the Turkish bath. No sure if this area is still there as Savarona went through a large refit last year.
PASCALE
Was this career always your dream, or did an unusual opportunity lead you in this direction?
A&R 02
From eleven years old I wanted to be a car designer, so I managed to go to University to study transportation design to realize my dream. Two of my house mates were into boats (and cars) Jaso Macaree our partner being one of them and one of our tutors was a self-taught naval architect with patents and designs for Hydrofoils and other alternative watercraft which fascinated me. I also was fortunate to have close family friends with a small sail boat and later a sunseeker in Jersey and the combination of these influences steered me towards yacht design.
ANDREW
I am a qualified and trained art historian and archeologist and have a strong interest in fine art and art research. Becoming a yacht designer in 1989 came by pure accident while I was in London looking for a position in a design studio.
PASCALE
Is there a specific design that is particularly close to your heart? If so, why?
A&R 03
Aviva is very close to my heart as the client threw away the conventional yacht design rule book which allowed us to create something extraordinary. Aviva is unlike any other yacht on the interior and exterior which was very exiting for us to design.
ANDREW
I am in love with the fine lines and sculptural shapes of our 90m Lady Lara but designing 90m Aviva has been one of the most existing yacht project we have ever done. The exterior lines are beautiful, strong and very elegant at the same time and her interior very original and a perfect setting for one of the most beautiful art collections in the world.
PASCALE
What was the quirkiest or most unexpected request from a client?
A&R 04
Again it is onboard Aviva, an indoor full competition size padel tennis court come sports hall. Our initial concept for the new Aviva was to have a fold out glass court on the exterior decks as we never thought we could fit it inside. The owner had a very different challenge for us as he wanted to play in a permanent court, airconditioned and without the direct sun, inside the yacht. The result was possibly the most significant challenge we have faced and when people visit the padel court for the first time, their jaw drops as no one is expecting such a vast and high space to be hidden within this yacht.
ANDREW
Aviva padel tennis court is on the top of my list, followed by the snow room and Nemo room on board Serene.
PASCALE
What was the most unusual material you’ve ever used in a yacht?
A&R 05
Quite possibly it was three-hundred-year-old reindeer skin retrieved from a shipwreck off the coast of England. Beautifully crafted by Silverling on an owner’s desk.
ANDREW
A whole ceiling in crystal droplets inserted into an clear acrylic panel
PASCALE
Do you have a funny anecdote from a project with Abeking that you can share?
A&R 06
I have so many I can’t share! One that I remember was a meeting with a potential Abeking client on his yacht in Sardina. Till von Krause and myself flew into Sardinia and met up with André Jonker, all of us intending to fly home the same evening, that didn’t quite happen. We joined the yacht and the owner immediately said “we are sailing to Corsica as my friends want to see Bonifacio”. We set sail, had lunch, later dinner, and a very pleasant day. However, we hadn’t started discussing the new yacht design and we were still in the wrong country to fly home. Eventually we sailed back to Sardinia by which time our flights were gone, and we started the meeting which went on until the early hours of the morning with a fully engaged and excited yacht owner. A tender ride back to shore in the pitch dark we had to somehow find our hire car and then to find a hotel that was open and with rooms in August!
ANDREW
Our first delivery with Abeking of Bravado. The owner was so excited to get delivering of his yacht that he literally came with his suitcase to the shipyard on the delivery day and left the yard on his yacht with saxophone playing on the dock “Don’t cry for me Argentina”.
PASCALE
What is the most important advice you would give to new yacht designers?
A&R 07
Never stop learning, you never know it all.
ANDREW
Have a lot of patience and courage. It is a beautiful and fun industry but not always easy to break through.
PASCALE
What role does sustainability play for you and your clients?
A&R 08
It is becoming a key issue for our younger clients. Materials such as dark exotic rare woods were often the requirements for yacht interiors in the past, not only because they are beautiful but also because they were rare and therefore exclusive and subsequently deemed ultra luxurious. We see a trend towards the use of sustainable materials, which also goes hand in hand with the trend to create lighter, more airy interiors which we also prefer. We have created yacht interiors without any woods at all and decks without any teak. Most yachts are now far more efficient and clean than they used to be, especially those with a hybrid powertrain and we have enquiries for yachts powered alternative fuels such as hydrogen which ultimately will be the way to move forward.
ANDREW
This is a very difficult question as yachting and sustainability if you are not a sailing yacht is very difficult to achieve fully. But we are working on it.
PASCALE
If you had the chance to design a yacht for a movie, which movie would it be, and what would the yacht look like?
A&R 09
It would have to be a Bond movie, something futuristic, sleek and streamlined, silver, mirror glass and with all the toys and submarines of course.
ANDREW
The space ship from the film “Passengers” for sure.
PASCALE
What future trends in yacht design excite you the most and why?
A&R 10
The connection from indoor to outdoor, being able to blend those spaces more seamlessly. For me and may others, the pleasure of being on a yacht is the connection to the sea and coastal environment. Removing the apparent feeling of walls on the main deck or even lower deck on smaller vessels connects you to the sea and the views. It also connects you to the activities, the kids jumping off the side, swimming or using the water toys. To me this is boating and the most fun part of it.
ANDREW
The large windows now technically achievable on most recent yachts are definitely the most exciting features that you can find on all our latest yacht projects. They give you a true connection with the sea.
PASCALE
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